The Love Guru 2008 Film Indirme

The Love Guru Film Indirme 2008

devam : 194 zabıt tutmak Abstimmungsergebnis
karar adet : 4.9/10 (53476 bildirmek)
ses rengi : MPG 1080p
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yaratıcılık : Sucher , Polizeikomödie
lisan : VN,RU,CR,AU,GW,SL,UM,NU,USA, DJI, COD, GRL, MAR
numaralamak : 8.2/10 (57220 Stimmabgabe)

The Love Guru 2008 Film Indirme

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[HD] The Love Guru 2008 Film Indirme

Kısa film

Harcandı : $076,317,279

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Kategoriler : Zoologie - Skizzen , ein Gesetz dunkle Feinde - Aufnahme , Werwolf - Weisheit , Bösewicht - Poesie

Üretici Ülke : Irland

Prodüksiyon : TV Paulista

Born in America and raised in an Indian ashram, Pitka returns to his native land to seek his fortune as a spiritualist and self-help expert. His skills are put to the test when he must get a brokenhearted hockey player's marriage back on track in time for the man to help his team win the Stanley Cup.
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Vice 2018 Film Indirme

Vice Film Indirme 2018

süreklilik : 176 zabıt tutmak Wahlresultat
seçim sonucu numara : 0.7/10 (57006 oylayarak kararlaştırmak)
özellik : AAF 720p
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gösterme : 7749
yaratıcılık : Frauen , Cool
lisan : KY,AQ,NZ,GW,GT,LU,GY,MU,IRQ, MKD, BRB, VUT, BEL
hesaplamak : 7.0/10 (26951 Stimmrecht)

Vice 2018 Film Indirme

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Being Australian and under 30, Dick Cheney is not someone I ever payed a lot of attention to. I knew he shot that dude and the dude he shot is the one who had to apologise somehow, and that he was one of the evil puppet-master types who stood behind George W. That's it. So while Cheney as a subject matter isn't something I can say I **care** about, it's also not material that's old hat to me either. I ended up watching it only because that's what my mate wanted to do for his birthday, but I'm glad I did. I did not **love** _Vice_, but for the sort of thing I don't normally gravitate towards, I was riveted.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
**_Pretty enjoyable, very funny, but doesn't tell us anything we didn't already know_**

> _We have guaranteed freedom, security, and peace for a larger share of humanity than has any other nation in all of history. There is no other like us. There never has been. We are, as a matter of empirical fact and undeniable history, the greatest force for good the world has ever known._

- Dick Cheney; _Exceptional: Why the World Needs a Powerful America_ (2015)

As a non-American, I've always been fascinated by the concept of a two party system. Breeding rancour and division by its very nature, with only two sides from which to choose on any issue, the more controversial a subject is, the wider the ideological gap becomes. I'm not sure if it's a cause or a symptom, but intricately intertwined with such deep-rooted partisanship is the fact that everyone seems to be preaching to their own choir; Republicans have Sean Hannity, Tucker Carlson, and Ben Shapiro (and Alex Jones), whilst Democrats have Bill Maher, Anderson Cooper, and Chris Cuomo (and Cenk Uygar). The problem is that the people watching _Fox and Friends_ and reading _Breitbart_ are already staunchly on the right, whilst those watching CNN and reading _The New York Times_ are already firmly on the left; everyone is sermonising to the already converted, and no one is listening to what the other camp is saying. Written and directed by Adam McKay, _Vice_ is a good example of this; it's a left-leaning film made by left-leaning people for a left-leaning audience. When McKay was asked by the _ACLU_ if he had any theories as to why Jared Kushner and Ivanka Trump allegedly walked out of a screening, his response was telling; "_I think the bigger question is: Why did they buy two tickets and walk in?_"

Ostensibly a biopic of former Vice President Dick Cheney, _Vice_ argues that he was actually the _de facto_ President, with George W. Bush taking a back seat, particularly in the globally crucial years from 2001-2003. Very much a political satire in the vein of Decimus Iunius Iuvenalis and Jonathan Swift, or films such as Barry Levinson's _Wag the Dog_ and Joe Dante's _The Second Civil War_ (both 1997), _Vice_ eschews conventional narrative structure, breaks the fourth wall regularly, intercuts shots of fly-fishing and animals hunting into the middle of tense plot-heavy dialogue scenes, features several self-reflexive references to itself, has a false ending, has a scene in which characters speak in iambic pentameter, and in a deleted scene, the entire cast breaks into song. Much as was the case with recent "based on a true story" films such as Spike Lee's _BlacKkKlansman_ and Jason Reitman's _The Front Runner_ (both 2018), _Vice_ has one eye on the here and now, using Cheney's story as a vehicle to examine the current political situation in the US, positing that without the power-mad Dick Cheney and the Unitary Executive Theory, there would never have been a Donald Trump. However, although there are many individual moments of brilliance, the film is unsure if it's a straightforward biopic or an excoriating satire, ultimately finding a kind of ideological middle ground that mixes comedy with pathos, not always successfully.

Narrated by Kurt (Jesse Plemons), a fictitious veteran of the Afghanistan and Iraq Wars, who claims to have a unique connection to Cheney, the film begins in Wyoming in 1963 as a young Dick Cheney (Christian Bale) is arrested for drunk driving for the second time. It then cuts to the Presidential Emergency Operations Center in the immediate aftermath of 9/11, as Cheney orders the shooting down of any suspicious commercial airliners, despite President Bush (who was en route to Washington from Florida) not signing off on such an order. How Cheney got from being a drunk in 1963 to taking control of the government in 2001 is the film's primary focus, introducing us to a huge cast of characters (played by an extraordinary ensemble), all of whom feature in Cheney's rise to power in some manner – Lynne Vincent (Amy Adams), Cheney's fiancée and later wife; Donald Rumsfeld (Steve Carell), under whom Cheney worked from 1969, later White House Chief of Staff (1970-1971) and Secretary of Defense (1975-1977 and 2001-2006); Gerald Ford (Bill Camp), President (1974-1977), for whom Cheney was White House Chief of Staff; George H.W. Bush (John Hillner), President (1989-1993), for whom Cheney was Secretary for Defense; Liz (Lily Rabe) and Mary (Allison Pill), Cheney's two daughters; Roger Ailes (Kyle S. More), founder of Fox News; George W. Bush (Sam Rockwell), President (2001-2009), for whom Cheney was Vice President; Scooter Libby (Justin Kirk), Chief of Staff to the Vice President (2001-2005); David Addington (Don McManus), Cheney's legal counsel (2001-2005) and Chief of Staff to the Vice President (2005-2009); Colin Powell (Tyler Perry), Secretary of State (2001-2005); Condoleezza Rice (LiaGay Hamilton), National Security Advisor (2001-2005) and Secretary of State (2005-2009); Paul Wolfowitz (Eddie Marsan), Deputy Secretary of Defense (2001-2005); George Tenet (Stephen Adly Guirgis), Director of Central Intelligence (1996-2004); Karl Rove (Joseph Beck), Senior Advisor to the President (2001-2007); Trent Lott (Paul Perri), Senate Minority Leader (2001-2003); Jay Bybee (Brandon Firla), Assistant Attorney General (2001-2003); and John Yoo (Paul Yoo) Deputy Assistant Attorney General (2001-2003). Within this framework, the film hits all the beats you'd expect – the bombing of Cambodia (1969-1970); the formation of Al-Qaeda (1988); the outbreak of the Somali Civil War (1988); the invasion of Panama (1989); the Gulf War (1990-1991); Cheney's time as CEO of Halliburton (1995-2000); 9/11 and the invasion of Afghanistan (2001); the "Torture Memos" and "enhanced interrogation techniques" (2002); the invasion of Iraq (2003); the Plame affair (2003); the accidental shooting of Harry Whittington (2006); the rise of IS; Cheney's 13% approval rating upon leaving office (2009); his heart transplant (2012); and the breakdown in Mary's relationship with her family when Cheney gives Liz permission to oppose gay marriage whilst running for the Senate, despite Mary being a married to a woman (2013).

In writing Vice, McKay focused on five main sources – David Corn's _The Lies of George W. Bush: Mastering the Politics of Deception_ (2003), Ron Suskind's _The One Percent Doctrine: Deep Inside America's Pursuit of Its Enemies Since 9/11_ (2006), Michael Isikoff and David Corn's _Hubris: The Inside Story of Spin, Scandal, and the Selling of the Iraq War_ (2006), Barton Gellman's _Angler: The Cheney Vice Presidency_ (2008), and Jane Mayer's _The Dark Side: The Inside Story of How the War on Terror Turned Into a War on American Ideals_ (2008).

_Vice_ presents Cheney as devoid of ideology, with a Zelig-esque ability to alter his manner so as to best deal with whomever it is in whose company he finds himself. In this sense, his political ambition is portrayed as cynical and mercenary; McKay's Cheney has no interest in attaining power so as to influence policy or stimulate ideological change, he is obsessed only with power-for-power's sake. One of the most telling scenes in the film happens quite early when he learns that President Richard Nixon and National Security Advisor Henry Kissinger are planning to bomb Cambodia without going through Congress. Asking Rumsfeld, "_what do we believe?_", he is met by Rumsfeld laughing hysterically at being asked such a ridiculous question. Speaking to The New Yorker, McKay explains,

> _what I found – and I know there are people who disagree with this – was a surprising lack of ideology. I found beliefs that would flip and flop, based on what was convenient and what was strategically useful._

However, although the film presents Cheney as lacking ideology, it does show him as passionate when he adopts (and later usurps) the Unitary Executive Theory (essentially, the idea that the President should have virtually unchecked power to direct the Executive Branch, particularly during times of crisis). McKay tells _The New Yorker_,

> _at one point, he even says the President should have certain monarchical prerogatives._

Speaking to _ACLU_, he says of Cheney's adoption of the Theory,

> _you see it constantly throughout his career – his attempts to expand executive reach, expand executive authority, to operate without transparency, to operate with impunity._

Key lines in this respect include Cheney arguing, "_if the president does it, it's legal_", and, when discussing the issue of the US using torture, "_if the US does it, by definition, it can't be torture_".

Nowhere is his character shown as more ruthless than in a scene towards the end of the film. In 2013, Liz is running for the Senate when a TV advert from a group affiliated with the incumbent Senator for Wyoming, Mike Enzi, claimed that she "_aggressively promotes gay marriage_". Mary had been married to Heather Poe since 2012, and although Cheney and Liz knew it went against their party's doctrines, they had supported her. However, the day after the advert aired, Liz appeared on _Fox News Sunday_ and said she did not support gay marriage. The following day, Cheney and Lynne released a statement supporting Liz, and causing a rift between the family and Mary which remains to this day. The film features a scene the night before Liz goes on TV, in which she asks permission to say she opposes gay marriage. In a chilling moment lifted right out of Francis Ford Coppola's _The Godfather Part II_ (1974), Cheney indicates his approval with a single silent nod of his head. Speaking to _ACLU_ about this scene, McKay states,

> _that to me is what made it a complete and total tragedy and that's the final kind of tally, the final destructive count of power. Is what he did to the country, what he did to countries like Iraq, punching holes in the Geneva Convention, what he did to the checks and balances of our democracy, what he did to the spirit of the American voter, the spirit of the American nation. And then the final thing, the tools that he used_ […] _eventually took down his own family. So to me at that point the tragedy was complete on every level: personal, family, country, world._

Much as in _BlacKkKlansman_, _Vice_ concludes with a haunting montage that brings the story up to date, showing some of the long-term effects of the Bush-Cheney years (instability in the Middle East, irreparable damage to the environment, the rise of IS). In relation to the here and now, although Trump is never explicitly mentioned (and is only shown for a split second in archive footage), McKay is unafraid to admit that the film is not entirely focused on the past. Speaking to the _New York Times_ about Cheney's dismantling of executive checks on power, McKay states,

> _Cheney was the expert safecracker who opened up the safe, and now the orangutan is in there, throwing around the money and the jewels._

He also sees the film as something of a corrective, a reminder of just how bad it was during Bush's time in office, telling _ACLU_

> _somewhere along the line, Donald Trump got elected, and all of a sudden we started hearing people say, "Hey, I kind of miss George W. Bush. You know, he wasn't that bad, him and Cheney." And then I really felt like I got to make the movie. I was like, this is crazy that people are saying this._

As with McKay's previous film, _The Big Short_ (2015), _Vice_ is aesthetically audacious. While there are fewer self-reflexive celebratory cameos explaining difficult terminology in direct-to-camera monologues (sadly, there's no Margot Robbie in a bath this time around), the film is edited in such a way as to remind me of Oliver Stone's "horizontal editing" in films such as _JFK_ (1991), _Natural Born Killers_ (1994), _Nixon_ (1995), and _U-Turn_ (1997). It's no coincidence that Vice was cut by Hank Corwin, who cut all of the above except _JFK_. This style of hyperkinetic editing can be seen throughout the film. For example, as Chaney attempts to manipulate Bush into agreeing to give him more power, there are intercepts of fly-fishing. It's not subtle, but it is effective. Indeed, this recalls an earlier scene when Cheney is teaching his daughters to fish, explaining,

> _you have to find out what the fish wants, and then you use that to catch the fish._

Elsewhere, much as Stone uses Coke commercials and footage from old films in _Natural Born Killers_, Vice features excerpts from the Budweiser "Whassup?" commercial (1999) and _Survivor_. In another scene, when Cheney first learns of the Unitary Executive Theory from Antonin Scalia (Matthew Jacobs), he immediately realises it is his road to power, and the film cuts to a lion bringing down a gazelle. For me though, some of the most effective editing in the film is more conventional. One particularly strong example is as Bush declares war on Iraq, the camera tilts down to show his leg is shaking. The film then cuts to a shot of an Iraqi civilian's leg shaking as the bombs begin to drop.

Also similar to _The Big Short_ is the film's sense of humour, with a tone of irreverence established from the very beginning, as the opening legend states,

> _the following is a true story. Or as true as it can be given that Dick Cheney is known as one of the most secretive leaders in recent history. But we did our fucking best._

A particularly sardonic scene comes about an hour in, as the film shows Cheney stepping away from politics in 1993 and later turning down Bush when he asks him to be his running mate in 2000. At this point, the legend explains that Cheney had chosen his family over politics, and that he happily lived out his days in Wyoming, becoming known as a great philanthropist and fly fisherman. As the Cheneys gather around a family barbeque, triumphant music swells, and the closing credits start to roll, only for the movie to interrupt itself, pointing out that that's not what happened at all, and then continuing with the narrative. It's a very meta technique, and one which both mocks feel-good biopics, whilst also providing a sly criticism of Cheney himself – had he not returned in 2000, the world could have had this happy ending.

Another very funny sequence sees Cheney and Lynne in bed discussing whether or not he should accept Bush's offer, with the narrator explaining,

> _sadly there is no real way to know exactly what was going on with the Cheneys at this history-changing moment. We can't just snap into a Shakespearean soliloquy that dramatises every feeling and emotion. That's just not the way the world works._

This is immediately followed by Cheney and Lynne speaking in _faux_-Shakespearean blank verse ("_Hast blindness usurped vision in you my wife?_", "_Mine own blood and will are yours til pierc'd be the last soldier's breastplate, spilling open its jellied ruby treasures_") as they work themselves up into a sexual frenzy (although technically, this is a duologue, not a soliloquy). There is also a scene in which Cheney meets two oil executives, whose faces are blurred out, and whose names are bleeped every time they are spoken. In another scene, a waiter (Alfred Molina), reads from a menu that features various forms of Cheney-endorsed torture;

> _tonight, we're offering the enemy combatant, whereby a person is not a prisoner of war, or a criminal, which means, of course, that he has absolutely no protection under the law._

After listening to their options, Cheney gleefully declares, "_we'll take it all_". There is also a hilarious mid-credit scene, which sees a focus group descend into chaos when a conservative calls a liberal a "_libtard_", prompting a mass brawl. Ignoring the fight, however, are two young girls who are instead interested only in speculating as to the quality of the new _Fast & the Furious_ film.

For all that, however, _Vice_ isn't a patch on _The Big Short_, for a number of reasons. For example, whereas in _The Big Short_, the self-reflexive _Tristram Shandy_-style narrative structure worked to the film's advantage, providing a way into the complex story, here it has the exact opposite effect, oftentimes distracting from McKay's thematic concerns, preventing the film from focusing on telling us how (and why) Cheney exploited loopholes in executive power to restructure US foreign policy. McKay is also less successful at moving from scenes of quiet tragedy to scenes of comedy than he was in _The Big Short_.

The most egregious problem, however, is that the film fails to give any kind of psychological verisimilitude or interiority to Cheney. Presenting him in an almost robotic manner, there is very little on what drives him, depicting his various deeds without offering anything cogent in terms of his motivations. Is he simply an ideologically-weak opportunist? Is he an evil megalomaniac fuelled by a deeper purpose, and if so, what purpose, and how? Could it all really have been about power, viewing the global geopolitical sphere as his own personal playground and nothing more? And if the film is arguing this, suggesting that this man, responsible for so much pain and suffering, did it all simply because he liked power, isn't that to downplay his agency, to allow one to argue that he didn't really know how much damage he was causing? Depriving him of psychology weakens any attempt to censure his actions. The film's Cheney is ultimately unknowable, and that makes his acts more easily forgivable. The argument that it was all because of power and greed really does next-to-nothing to help explain the man. And in any case, if we accept the thesis that Cheney cared only for power, then surely he warrants serious moral scrutiny, not a self-reflexive and, at times, self-congratulatory narrative that assumes the audience agrees with it before it has even said anything.

_Vice_ traces all of Cheney's acts back to Lynne dressing him down when he was younger, suggesting that without her prodding, this unambitious two-time Yale dropout would never have gotten into politics in the first place (it's telling, perhaps, that Lynne is unenthusiastic when she learns Cheney is thinking of accepting Bush's offer to be his running mate, pointing out, "_the VP just sits around and waits for the president to die_"). But to reduce all of it to being told off by wife, seems far too easy, although it could, I suppose, be cited as an example of the banality of evil. Except that the film's Cheney is anything but banal. In fact, he's terrifying.

Cheney pressured the CIA to find links between Al-Qaeda and Saddam Hussein so as to justify invading Iraq. He oversaw the public relations campaign to build popular support for the war. He encouraged the torture of terror suspects all the while denying it was torture. He was responsible for the worst strategic blunder in US history, the growth of a domestic surveillance state, the dictatorialisation of the office of the President, and the deaths of 4,000 American troops and at least 100,000 Iraqi civilians, although possibly as many as 500,000. His contempt for and willingness to rewrite the rule of law makes him a precursor of Trump. Positing him as a man who was power-mad and little else, _Vice_ remains always on the outside, trying to listen through the wall, never managing to open the door and expose his actual inner workings. The comedy and structural experimentation make it entertaining as a film, but it tells us very little about Cheney that we didn't already know. Strip away the artifice, and you'll find it doesn't have a huge amount to say. Never attaining the scale of tragedy to which it clearly aspires, the film functions instead to remind critics of Bush's cabinet why they became critics of Bush's cabinet. In the end, rather than exposing Cheney's dark soul, the film argues that he doesn't have one. And that is a far less interesting thesis.

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[HD] Vice 2018 Film Indirme

Kısa film

Harcandı : $656,805,536

Gelir : $293,533,987

Kategoriler : Fotografie - Worte , Pest - Worte , Dramatischer Dokumentarfilm - Betroffene Ethik , Biblisch - Documenteur Schwarz

Üretici Ülke : Äthiopien

Prodüksiyon : OmegaVision Pictures

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George W. Bush picks Dick Cheney, the CEO of Halliburton Co., to be his Republican running mate in the 2000 presidential election. No stranger to politics, Cheney's impressive résumé includes stints as White House chief of staff, House Minority Whip and defense secretary. When Bush wins by a narrow margin, Cheney begins to use his newfound power to help reshape the country and the world.
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Miracle in Cell No. 7 2019 Film Indirme

Miracle in Cell No. 7 Film Indirme 2019

süreklilik : 121 saat tutmak Votum
oy sayı : 2.9/10 (43496 bildirmek)
yetenek : MPEG 720p
BDRip
bakmak : 7062
kurnazlık : Behälter , Oratorium
dil : LV,SH,RS,LV,KM,CV,MG,AD,SWZ, PAK, COK, BIH, DZA
adet : 1.7/10 (22966 Abstimmung)

Miracle in Cell No. 7 2019 Film Indirme

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[HD] Miracle in Cell No. 7 2019 Film Indirme

Kısa film

Harcandı : $006,557,581

Gelir : $971,316,557

Kategoriler : Blasphemie - Césarisé , Verantwortung - Großartig , Philosophie - Schreiben , Geschichte - Aufnahme

Üretici Ülke : Malaysia

Prodüksiyon : KoMut Entertainment

Joselito (Aga Muhlach) is a mentally-challenged man who is wrongfully charged with sexually assaulting and murdering a little girl. In prison, he becomes friends with his fellow inmates and together they form a plan to smuggle his young daughter (Xia Vigor) inside the cell! Years after, his daughter (Bela Padilla) becomes a lawyer and is determined to prove her father's innocence.
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Curious George 2006 Film Indirme

Curious George Film Indirme 2006

süreklilik : 188 tutanak tutmak Wahlresultat
önerme hoş şey : 9.3/10 (44229 oylayarak kararlaştırmak)
asalet : Sonics-DDP 720p
HDTV
görüntü : 2215
ressamlık : Extrem , Boote
mesleki dil : CI,SD,MM,SB,LY,SL,UY,GF,IRN, MNP, DOM, TLS, VEN
hoş şey : 7.0/10 (33692 Stimmen,
)

Curious George 2006 Film Indirme

Curious George Film Indirme-manavgat-hd stream-2006-online schauen-HDRip-DVD-Bluray-deutsch-download-HDTV-Bluray-Blu-ray-Dolby Digital.mp4

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"

[HD] Curious George 2006 Film Indirme

Kısa film

Harcandı : $913,047,630

Gelir : $236,099,963

Kategoriler : Erziehung - Universum , Mädchen - Identität , Quinqui - dumm , Maritimes Drama - Hoffnung

Üretici Ülke : Tobago

Prodüksiyon : Pro Plus

When The Man in the Yellow Hat befriends Curious George in the jungle, they set off on a non-stop, fun-filled journey through the wonders of the big city toward the warmth of true friendship.
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Kickin' It Old Skool 2007 Film Indirme

Kickin' It Old Skool Film Indirme 2007

süreklilik : 151 zabıt tutmak Wahlstimme
oy tip : 7.2/10 (47425 oylamak)
ses rengi : MPG 720p
Bluray
görmek : 0786
bilim dalı : Minor , Sozialdrama
mesleki dil : HK,SK,HM,CW,TJ,JM,ST,MX,AUT, GRD, DEU, MAF, PHL
adet : 0.5/10 (81330 Stimmabgabe)

Kickin' It Old Skool 2007 Film Indirme

Kickin' It Old Skool Film Indirme-ne-zaman-çıkacak-BRRip-2007-M1V-M2V-AVI-online stream-M1V-englisch-HDRip-online anschauen-ganzer film-online stream.mp4

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[HD] Kickin' It Old Skool 2007 Film Indirme

Kısa film

Harcandı : $074,672,619

Gelir : $169,348,091

Kategoriler : dumm - Dystopie , von cops - dumm , Raum - Stumm , Kannibale - Weisheit

Üretici Ülke : Tadschikistan

Prodüksiyon : GTV 9

"Kickin' It Old Skool" revolves around a 12-year-old breakdancer, who in 1986 hits his head while performing at a talent show and as a result is comatose for 20 years. He awakens to find he is a grown man. With the mind and experience of a young kid, he attempts to revive his and his dance team's short-lived career with the hopes of helping support his parents' failing yogurt shop.
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Guardians 2017 Film Indirme

Guardians Film Indirme 2017

devam : 137 an Wahlresultat
oylama numara : 4.0/10 (87593 bildirmek)
soyluluk : M1V 720p
Bluray
kanı : 1253
sanatsal : Abenteuer , Tod
dil : EE,UG,ML,DE,GS,GH,ES,AQ,SYR, MEX, MAR, DMA, ZMB
yaşında olmak : 8.6/10 (57395 Stimmabgabe)

Guardians 2017 Film Indirme

Guardians Film Indirme-kaç-yaş-artı-M2V-2017-DTS-HDRip-online schauen-MPEG-1-DVDScr-720p-AAF-MPEG-2-DAT-stream.mp4

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**The Guardians: how to make a "Russian X-Men" flick for $7 million.**

In our world the sum of $7 million was last adequate for a blockbuster about 40 years ago. Obviously, the Russian team bet on using smaller resources to maximum gain. Not unlike the current Russian president's geopolitics, cough. The result is more than solid—for a direct-to-DVD level superhero flick, that is.

**The women:** gorgeous in a way which only Eastern European women can ever be—combining the Scandinavian Valkyrie component with the finer feminine Slavic beauty. In short—the next Trump-type can do worse than dip into the beauty pool of The Guardians.

**The men**: dreamy types, blond and dark, muscular and lithe—for all tastes.

**The acting quality:** imagine the supporting cast of any generic direct-to-DVD film with Steven Segal, but worse by about 25%.

**The action sequences:** world class.

**The special effects:** more or less on par with the special effects from the first X-Men film from the year 2000, which back then cost $75 million to make. Apparently a decade and a half later technology has progressed enough to enable the plucky Russian team to achieve the same effects of…the effects…for a minuscule fraction of the cost.

**The plot:** Soviet super-soldier experiments decades ago led to a bunch of amnesiac, un-aging men and women scattered around the country, who are gathered once more in order to stop the baddie who is wreaking havoc on New York, *sorry*, I meant Moscow. The baddie in question is like an uglier Bane, but with an approximation of the powers of Magneto.

**The end result:** can it compete with the Marvel or DC films of today? Absolutely not. Is it good entertainment when measured by direct-to-DVD or TV film (or modern computer game) standards? Sure

**Conclusion:** back in the 1960’s and 1970’s Italian directors like Sergio Leone and Dario Argento proved that even if you have no budget and no actors and no coherent plot, you can still create world-class, even legendary cinema through sheer class.

The Guardians has no class whatsoever, but is a perfectly OK derivative adventure with superheroes and things going bang, and in an "exotic" setting at that. Maybe this is just the start of something cheap and beautiful?

If Russia becomes a world center for cheap knock-offs of Hollywood films, I for one would be happy with this development and would watch these films, because with smaller budgets and therefore less oversight by focus-group obsessed bean counters, interesting stuff may start to develop within the generic story skeletons, as once was the case with Italian films.
**Not just another superhero film!**

It was more like a counterpart of the first 'Captain America' film. Because both the films set in the same background, which is the Cold War. But the Cold War was merely a reason to initiate what the film needed for its story. So as we roughly guessing the plot, there's something goes wrong in the secret experiment and then there emerges the superheroes and the supervillains.

The last time I saw such scale grand Russian film was 'The Inhabited Island' and decided never watch such Russian flicks. I might be wrong, because my knowledge about the Russian films is less, but there could be a lot better films that I haven't seen. Anyway, I put all my faith on it, despite very low ratings and heavily criticised it on the internet. I must say that, it was a decent film, neither a breathtaking nor a worst film (of the year).

Yep, there's lots of cliché, because you have seen them all in high standard Hollywood films. But since it is not a Hollywood, comparing them is unfair. A little appreciation needed for its effort. Except borrowing the concept should be questioned here. Because that's made its lack of originality. And one more exception is that science is everywhere the same, which is a big excuse for that.

The graphics were almost flawless. The characters are unique, but adapted from the same blueprint how every superhero film take off. So what went wrong with it is the big question, despite everything's carefully and nicely done. And the answer is the screenplay. Any superhero films majorly depends on the best designed action sequences and the stunt choreography with respective superpowers of the superheroes at its best.

> ❝Death for us is not a problem, we've lived long enough.❞

I liked the costumes, which aren't too fancy or simple, and the superpowers, but I don't think they were used that in the best way possible. And have you ever seen a 90 or less minute superhero film. That's another drawback. Because shortening the runtime does not speed up the narration. In this film, there were no space given for the character developments, like to make them, those heroes sit somewhere and have some lazy takes, which surely opens their deep thought, including personal events of the past and all. What I saw was, they came, they saw the villain and they fought him.

Well, at first attempt, it should not succeed, otherwise the film ends there. That's how all the superheroes rise back from the initial stumble. Only after upgrading with modern scientific weapons and gadgets to boost their superpowers, they now can match the bad guy. Those were the properly done things from the film. But not everybody will be happy for it as it is another clichéd segment. So what, that's same even if it is a Hollywood or European film.

Then what makes the film watchable is the production standards, that very much comparable with the big cost films around the world. Those criticised it was wrongly accused as saying it has the cheap CGI visuals, but that's definitely not true. Then the most successful film in the history of Indian cinema, 'Bahubali' would lead such worst visual effects list. If you watch this film, you would know that or you would bring your own perception. But the plot holes, surely there are many, if you are focused enough to identify them.

After all, if you give your interest to watch the film, then there won't be any time to go after such errors. Thus, it is the thing what all the film critics usually do. Madness is some film fanatics joined them. So never mind all the negatives about the film. Don't think I'm defending it. Just know how I rated it, an average. My idea is to expose it not a very bad film as it was labelled. That does not mean it is a fantastic film either. A 50-50 chance film, which can be still watchable, and once you did, the outcome of the watch could be anything. So after seeing all the confusing ratings and reviews, it must be hard for you whether to go for it or not. Suppose if you ask me, I say choose wisely, and if you did, have low expectations.

_6/10_

"

[HD] Guardians 2017 Film Indirme

Kısa film

Harcandı : $537,365,433

Gelir : $071,336,828

Kategoriler : Leben - Apology , Guru - die Gelegenheit , Erotik - Hilarious , Bögen En Ciel - Liebesfilm

Üretici Ülke : Burundi

Prodüksiyon : Cadena Tres

During the Cold War, an organization called "Patriot" created a super-hero squad, which includes members of multiple soviet republics. For years, the heroes had to hide their identities, but in hard times they must show themselves again.
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Iron Man 2008 Film Indirme

Iron Man Film Indirme 2008

süreç : 115 dakika Stimmabgabe
karar rakam : 2.0/10 (39026 oy vermek)
asalet : FLA 720p
DVDrip
görüş : 8875
sanat : Freundschaft , Gehirn
dil : BI,BT,ZA,BG,PW,AI,DE,IS,BHS, SMR, NAM, BEL, ISL
rakam : 9.9/10 (76835 Votum)

Iron Man 2008 Film Indirme

Iron Man Film Indirme-kaç-DVDrip-2008-HDTV-HDRip-online schauen-untertitel-italienisch-MPEG-1-AVI-MPE-WEB-DL-stream hd.mp4

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Imaginative illustration of an epic story. It combines the modern background society, e.g. terrorism, with the unconventional high-tech fantasy. Our leading actor Robert Downey Jr. deeply embodies the soul of the Iron Man in himself. We common people never lived this way :P
**A long form review originally posted in 2010:**

Marking the beginning of the latest Marvel franchise, _The Avengers_, is Jon Favreau's _Iron Man_.

I'm quite fond of Super Hero movies, I don't love them to the same extent that I do the slasher or psychological thriller genres, but they do hold a small place in my heart all to themselves. I'm pretty pumped for this whole "Avengers" thing to come to fruition, 'cause honestly it's all been great so far, starting with Iron Man, whom Robert Downey Jr. (_Natural Born Killers, Gothika, Kiss Kiss Bang Bang, A Scanner Darkly, Zodiac, Sherlock Holmes, Due Date_) portrays, and incredibly so.

It's important to set yourself a starting point. More specifically, what I mean is, a reason. Batman's parents were murdered, and his home was destroyedby crime; The Punisher's whole family was murdered in front of him and he big-time snapped; characters like the X-Men and the Fantastic 4 are defending themselves and end up having a penchant for world-saving. Those are all fine, and so long as you have one, I'm happy. But I really kind of like Tony Stark's reason for becoming Iron Man... He's a dick. That's why. He's a dick that supplies the world with the most lethal weapons in existence, and they take lives left, right and centre. Then, he's put through the world where they get used, and finally is told by the person who helped him escape that world, not to waste his life. He believes he is still alive for a reason, he decides that reason is to become a dick that is intent on privatising world peace. Which I think makes perfect sense.

That may have come across as sarcasm, but I was deadly serious. Tony Stark becomes Iron man, and that's why. It works fantastically. We then get to see all the incarnations of his suit, how difficult it was to make, what it runs on, the technology, everything. And I'm a huge fan of back story, which Iron Man delivers.

It's sort of the antithesis of DC's _Batman Begins_. Though they're both young adults that come from money with no family, a British butler (although Iron man's butler Jarvis was transformed into AI for the film [he was an actual person in the comics]), they have a board of directors take care of their family's billionaire business until they're ready to eventually take the reins, they both become "____ Man" and go about saving the innocent, not through superpowers but technology. I'm sure I could go on. But they're also incredibly different. Where Batman is a total bad ass, the gothic unknown defender of the night that uses fear as a weapon to protect his home town, and yet refuses to kill; Iron Man is a bright, shiny, loud attention grabber, who goes all international to fight crime, he wants the world to know he's Iron Man and his enemies are totally lame, so no wonder he has no qualms about killing! Batman's secret identity, Bruce Wayne, is an angsty tosser, that tries way to hard. But Tony Stark, is a witty, brilliant inventor, who has basically harnessed all of Batman's training, strength, weapons, vehicles and flight, improved them, and put them in to a single suit. So though I personally prefer Batman as a hero, I prefer Tony Stark as a character.

The interaction between Stark and Pepper Potts, played by Gwyneth Paltrow (_Se7en, The Talented Mr. Ripley, The Royal Tenenbaums, Sky Captain and the World of Tomorrow_) was incredible. It just goes to show what good casting can achieve, even in an action flick, the dialogue is hilarious and clever. Is it possible for a Super Hero movie to be a bad Super Hero film but a great film? I guess it is.

The antagonists are lacking to say the least, and their dispatching leaves even more to be desired. Which is normally not too huge when you get the rest so perfect, unfortunately, it's a comic book film, about Super Heroes, and Super Villains. They fight one another over and over, in fact that's pretty much what the comics are about in their entirety, so it's quite a major short coming. That being said, it's really the only one that _Iron Man_ has. In a way though, they're a similar comparison to the latest Batman films again; Iron Monger and Whiplash are flashy, but disappointing, where The Joker, Two-Face, Scarecrow and Ra's al Ghul are top notch as bad guys. Whereas Ironman's Obadiah Stane and Ivan Vanko were great characters, but Batman's The Joker is only seen in his villain persona, and Harvey Dent, Jonathan Crane and Henri Ducard are nothing more than vessels for their alter-egos.

All that aside, the film is just plain good, and you don't need to be a fan of Iron Man, Super Heroes or comics in general to enjoy _Iron Man_.

82%

-Gimly
Iron Man did a lot more than just launch the Marvel Cinematic Universe. It was the first comic book movie in a long time to integrate the fantastical nature of superheroes and supervillains into a real world setting with consequences. It also showed how great of a filmmaker Jon Favreau is and rebooted the career of Robert Downey Jr.

For all this, Iron Man is a fantastic movie, still one of the best MCU films. It's so much fun to watch. Yet it displays a lot of intelligence, exploring the internal dilemma of a man profiteering off war when faced with the harsh reality that he is part of a system that corrupts absolutely.

"

[HD] Iron Man 2008 Film Indirme

Kısa film

Harcandı : $802,304,588

Gelir : $245,914,208

Kategoriler : Scary - Schauplätze , Autobiografie - Sozialismus , Fotografie - Surrealistisch , Arbeit - Unabhängig

Üretici Ülke : Marshallinseln

Prodüksiyon : Pro Plus

Kan grubu Vikipedi ~ Kan grubu insan kanındaki antikorlara bakılarak kanın özelliğini belirtmek için oluşturulmuş sınıflandırma sistemidirA B AB ve 0 türleri mevcuttur Bundan bağımsız olarak Rh değeri veya değerinde olabilir Bu iki sistemin kombinasyonundan 8li kan grubu tablosu oluşmuştur Türkiyede iki sistem yan yana yazılarak belirtilir

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KategoriMinnesotadaki şehirler Vikipedi ~ Minnesotadaki şehirler kategorisindeki sayfalar Bu kategoride toplam 231 sayfa bulunmaktadır ve şu anda bunların 200 tanesi görülmektedir

KategoriRamsey County Minnesota Vikipedi ~ Wikimedia Commonsta Ramsey County Minnesota ile ilgili ortam dosyaları bulunmaktadır Alt kategoriler Toplam 3 alt kategoriden 3 tanesi burada bulunmaktadır Ramsey County Minnesota doğumlular‎ 1 K

Kimyasal element Vikipedi ~ Element aynı cins atomlardan oluşan ve kimyasal yollarla kendinden daha basit ve farklı maddelere ayrılamayan saf maddelere verilen isimdir Her farkli kimyasal element farklı atom numarasına sahiptir Atom numarası atomdaki proton sayısını çekirdek yükünü gösteren sayıdır Bir elementin böylece tüm atomlarında aynı sayıda proton bulunur

KategoriKonusu Minnesotada geçen filmler Vikipedi ~ Konusu Minnesotada geçen filmler kategorisindeki sayfalar Bu kategoride toplam 6 sayfa bulunmaktadır ve şu anda bunların 6 tanesi görülmektedir

Diyabetik retinopati Vikipedi ~ Diyabetik göz hastalığı olarak da bilinen diyabetik retinopati diabetes mellitus nedeniyle retinada hasara yol açan tıbbi bir durumdur Körlüğün önde gelen nedenidir Diyabetik retinopati 20 yıl veya daha uzun süredir diyabet hastası olanların yüzde 80ini etkilemektedir Yeni vakaların en az 90ı uygun tedavi ve gözlerin izlenmesi ile azaltılabilir

Hibrit yakıtlı roket Vikipedi ~ Hibrityakıtlı roketRoket motorunda birbirinden farklı fazdaki farklı roket yakıtları kullanan bir yakıtlardan biri katı halde ve diğeri ise gaz ya da sıvı haldedir Hibrit roketinin ortaya çaıkışı 75 yıl önceisne kadar takip edilebilir Hibrit roketler katı yakıtlı roketlerin yakıtın taşınması sırasında oluşan tehlikeleri gibi dezavantajları

Haltmaagiyn Battulga Vikipedi ~ Battulga 2004 ile 2016 yılları arasında Büyük Hural Devlet Üyesi ve 20082012 yılları arasında Karayolları Ulaşım İnşaat ve Kentsel Kalkınma Bakanı olarak görev yapmıştır 2017 cumhurbaşkanı seçimlerinde Demokrat Partinin adayı olarak seçimlere katılmış ve 506 ile ülkenin yeni devlet başkanı seçilmiştir

Minnesota Vikipedi ~ Minnesota ya da Minesota Amerika Birleşik Devletlerine katılan 32 eyâğe katılma tarihi 11 Mayıs 1858dir ABDnin ortabatı bölümünün en büyük eyaletidir 5 milyon nüfusu ile ABDdeki en kalabalık 21 eyalettir Eyalet nüfusunun yarıdan fazlası bölgenin sanayi endüstri ve ulaştırma merkezi olan Twin Cities olarak da anılan MinneapolisSt Paul bölgesinde

After being held captive in an Afghan cave, billionaire engineer Tony Stark creates a unique weaponized suit of armor to fight evil.
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The Sitter 2011 Film Indirme

The Sitter Film Indirme 2011

süreklilik : 133 saat tutmak Wahlstimme
karar tip : 6.6/10 (70017 oylayarak kararlaştırmak)
mizaç : MPEG-1 1440p
Bluray
görüntü : 7883
beceri : Sorge um die Moral , Bremsen
mesleki dil : VI,TF,SK,GW,ML,MO,FM,RO,BMU, ASM, GNB, CCK, TUV
numaralamak : 7.6/10 (62156 Wahlresultat)

The Sitter 2011 Film Indirme

The Sitter Film Indirme-sanko-ASF-2011-DAT-film-stream-DVDrip-ASF-WMV-Blu-ray-MPEG-Sonics-DDP-online stream.mp4

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[HD] The Sitter 2011 Film Indirme

Kısa film

Harcandı : $622,471,994

Gelir : $319,676,345

Kategoriler : Mathematik - Schreiben , Lustig - Sommer , Logik - Spionage , Marketing - Zynismus

Üretici Ülke : Frankreich

Prodüksiyon : Smosh Productions

Noah, is not your typical entertain-the-kids-no-matter-how-boring-it-is kind of sitter. He's reluctant to take a sitting gig; he'd rather, well, be doing anything else, especially if it involves slacking. When Noah is watching the neighbor's kid he gets a booty call from his girlfriend in the city. To hook up with her, Noah takes to the streets, but his urban adventure spins out of control as he finds himself on the run from a maniacal drug lord.
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V/H/S/2 2013 Film Indirme

V/H/S/2 Film Indirme 2013

süreç : 121 zabıt tutmak Wählerstimme
oylanan şey müzik parçası : 9.6/10 (57802 oy kullanmak)
vasıf : M2V 1080p
HDTV
kanı : 9166
beceri : Monster , Armee
lisan : EH,CM,GI,NE,NC,BD,CI,NI,COM, PHL, SHN, NER, SVK
hesaplamak : 5.7/10 (77633 Stimmen,
)

V/H/S/2 2013 Film Indirme

V/H/S/2 Film Indirme-ne-zaman-vizyondan-çıkacak-auf englisch-2013-blu ray-MPEG-1-M1V-stream-online anschauen-DVD-ASF-ASF-Bluray-MPEG.mp4

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Are you just about done with the anthology horror mini-revival? Sick to death of cinéma vérité? Well... I was about to say, "Move along, then; there's nothing for you here," but that wouldn't be fair on this movie OR you. If you're through with first-person perspective found-footage portmanteau horrors then fine, but just stay for one more. Please? Because it's a belter, this one.

Last year's V/H/S was IMO terrific, but it had its flaws. The wraparound story and the first story proper gave the movie a disturbing early feeling of misogyny thanks to both stories' protagonists having sexual gratification of one manner or another as their principal reason for filming their actions, the film's running time struggled to cope with six tales being told, and the shaky first-person cameras were the shakiest of shaky, nausea-inducing cameras in the history of the first-person perspective. Thankfully for the sequel, nobody's shooting footage for the sake of amateur pornography (an early tit-shot establishes our wraparound-segment protagonist as a private investigator, but that's it until some much lighter, more jocular sex-filming exchanges in the last segment, of which more later), V/H/S/2 is telling five stories in all rather than six (hopefully by V/H/S/3 they'll have learned a further lesson: The wraparound stories are completely redundant, so let's ditch 'em), and that extra time is put to good use, and the shaky-cam... it's still there of course - goes hand-in-hand with the territory - but it's just nowhere near as bad. For the most part.

So, to the stories themselves:

"Tape 49" - The wraparound segment, directed by Simon Barrett (who wrote the wraparound segment for V/H/S - "Tape 56" - as well as the segment "The Sick Thing That Happened to Emily When She Was Younger" for that earlier movie; he also wrote You're Next and the IMO excellent horror/western Dead Birds). Concerning a private eye and his partner on the trail of a missing student, they come across a house not unlike the one in the first picture, full of not much but stacks of old switched-on CRT televisions and VHS cassette players, and even larger stacks of VHS tapes themselves. They find a laptop with footage of the missing boy, sitting in that very room and explaining about how watching some of these VHS tapes in a certain order will... affect people. Quite how, I'll not say. Suffice to say though that while our private dick searches the house, his partner sits and watches the tapes (these are the four segments making up the main body of V/H/S/2), and trouble abounds. It's a big upgrade on the unlikeable wraparound from the first movie but it's still largely unnecessary and despite some good horror action towards the very end, it made little sense and was subsequently by virtue of its nature the weakest tale of the lot.

Segment 1. "Phase I Clinical Trials" - Directed by Adam Wingard (You're Next, V/H/S segment "Tape 56", The ABCs of Death segment "Q is for Quack"), this is a fairly straightforward and derivative piece (The Sixth Sense? The Eye?) about a guy who, following an eye operation to replace his blind right eye with an experimental electronic eye which for the purposes of data collection records everything it "sees" (a fairly ingenious if slightly laboured use of the first-person perspective I thought, also neatly sidestepping the thorny "Why are they still FILMING?!?" issue that besets all of these sorts of films), starts seeing - you guessed it - dead people. Nothing original to see here in terms of the story, but Wingard's ever-improving directional skills keep the tension levels up and interesting throughout. Not an especially strong start, but a decent start.

Segment 2. "A Ride in the Park" - Co-directed by the criminally-underrated Eduardo Sánchez (yes, him. Co-director of found-footage great-grandaddy The Blair Witch Project; also did the absolutely fantastic Altered, plus Seventh Moon and Lovely Molly) and his long-time producer buddy Gregg Hale, and co-written by Sánchez and his long-time writing partner Jamie Nash, this one came with heavy expectations and it didn't disappoint at all. A cracking flat-out zombie fest filmed almost entirely from the perspective of a cyclist's helmet-mounted Go-Pro camera. Our - hero? - Mike takes his bike out for a lovely early-morning spin through the park and is immediately attacked and bitten by a zombie, one of several ambling through these woods. He escapes, runs away, staggers, falters, drops to the floor and dies. Then he gets up. From there on in it's a zombie's-eye view of the carnage and gore, finishing with a flourish on a surprisingly touching note. For zombies, like. Excellent short story. Probably the best segment not only of this movie so far (it's certainly that) but of the V/H/S franchise so far.

Until...

Segment 3. "Safe Haven" - Another strong directorial collaboration here, this time between Gareth Huw Evans (The Raid) and Timo Tjahjanto (The ABCs of Death segment "L is for Libido"). Taking up 30 minutes of V/H/S/2's entire runtime (and worth every second), Safe haven concerns a documentary news crew who - using both conventional professional cameras and mics plus hidden "button"-cams - go to film the shenanigans at a remote Indonesian compound, in which is housed a "Heaven's Gate"-style Doomsday cult comprised of their enigmatic leader - The Father - his "family" of wives/lovers and (many) children plus other assorted cult members. It is implied that "The Father" is promoting and engaging in underage sex with some of the members, and it's this angle the news crew most want to pursue. They end up however with something very different.

Managing to look and feel like an exquisite blend of the co-directors' other works The Raid and "L is for Libido" with a good dollop of Doom 3 or some other survival horror game thrown in for good measure, this short represents the best thing that either V/H/S movie has offered us thus far. It's creepy, then it's tense, then it's frantic and as gory as gore gets (all justifiably and within the context of a good tale well told, I might add). If there's a teeny-tiny criticism it could be that a practical visual effect at the very very end of the short (you'll know it when you see it) doesn't quite work and against the otherwise staggering look of all that preceded it, it's quite jarring. However, I'm nitpicking. "Safe Haven" is a superior piece and with a few dollars thrown at it could make an excellent and terrifying expanded movie in its own right.

Segment 4. "Slumber Party Alien Abduction" - directed by Jason Eisener (Hobo With a Shotgun, The ABCs of Death segment "Y is for Youngbuck"). Eisener seems to be a bit of a "love him or loathe him" director. I WANT to like him but I find his output as frustrating as it is novel, and this is no exception. Essentially, a bunch of kids of varying ages have free reign over their lakeside house, and fill their time with happy, video-based tomfoolery including strapping a camera to their dog to see what he films, blasting one another with urine-filled water guns and busting in on one anothers' "intimate" time, be that one of the girls with her boyfriend or one of the doofus young teenagers with his hand, a porno and some time to kill. So far, so goofy. Until a violent attack by a band of hostile classic "Grey" aliens kicks off. It's a good idea and the story itself is fine, but this is the one short in the pack that continues to suffer badly from the first movie's shaky-cam syndrome. Once the action starts, you'll struggle to see what's happening. Good stuff, but frustrating. And coming as it does after two truly excellent segments, just a trifle deflating.

So, segments 1 and 4 are of a standard comparable to the first movie, the wraparound piece is an improvement, but the middle two shorts are worth the ticket money on their own and elevate V/H/S/2 above its older sibling and above much of today's horror fare in general. Well recommended.
In the past I have only ever reviewed anthology films as a whole, and by-and-large that's probably what I'll go back to doing in the future, but having just watched the last three quarters of the original _V/H/S_, then _V/H/S/2_ and _V/H/S: Viral_ all in one sitting, it all sort of bleeds together and I mostly can't remember which one belongs where, so at least for now, I'm gonna try giving some very, very short reviews for each segment, rather than the overall films.

**Tape 49**: The framing device. These were always the silliest part of the franchise. It doesn't work very well as a jumping off point, and it doesn't work at all as a self-contained narrative.

**Phase I Clinical Trials**: Much better stuff from Adam Wingard, has some of the intensity found in the first _V/H/S_. One of the shorts I think would best translate to a full feature. Could benefit from some better acting though (could be said of all the segments, and isn't a deal breaker for me).

**A Ride in the Park**: Really just one thing going on here, but that's fine for a short film that's just one part of an anthology. A first-person zombie movie shot from the perspective of the zombie is a pretty dope idea. Could have commited to the formula harder, preferably, but the way it is shot I guess makes sense in terms of the larger _V/H/S_ narrative.

**Safe Haven**: The best of what _V/H/S/2_ has on offer. Not perfect, and unexpectedly made me bring out my glasses to read the subtitles, which I guess arguably clashes with not only the other segments but indeed the "Found Footage" idea overall. Still, solid entry.

**Slumber Party Alien Abduction**: Probably the weakest. Weird choice to go out on. Tries to have fun but unfortunately just doesn't have the time to carry that idea to fruition before the desperate scramble for the "horror" in this found footage horror short.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

"

[HD] V/H/S/2 2013 Film Indirme

Kısa film

Harcandı : $617,269,410

Gelir : $483,759,872

Kategoriler : Dokumentarfilm - Aufnahme , Ethik Legende - Césarisé , Biblisch - nostalgisch , Porträt - Worte

Üretici Ülke : Gambia

Prodüksiyon : Daniel Mart

Inside a darkened house looms a column of TVs littered with VHS tapes, a pagan shrine to forgotten analog gods. The screens crackle and pop endlessly with monochrome vistas of static white noise permeating the brain and fogging concentration. But you must fight the urge to relax: this is no mere movie night. Those obsolete spools contain more than just magnetic tape. They are imprinted with the very soul of evil.
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